Showing posts with label Oscars. Show all posts
Showing posts with label Oscars. Show all posts

Sunday, February 24, 2013

Oscar picks and Oscar Podcast



It is Oscar night, one of the biggest nights on the Sully calendar.

So before the ceremony, I am going to make my official picks. These are not necessarily who I WANT to win (Lincoln was my favorite movie of the year) but who I think WILL win.

Here at the official Sully picks:

BEST PICTURE: Argo
BEST DIRECTOR: Steven Spielberg, Lincoln
BEST ACTOR: Daniel Day Lewis, Lincoln
BEST ACTRESS: Jennifer Lawrence, Silver Linings Playbook
BEST SUPPORTING ACTOR: Robert DeNiro, Silver Linings Playbook
BEST SUPPORTING ACTRESS: Anne Hathaway, Les Miserables
BEST ORIGINAL SCREENPLAY: Quentin Tarantino, Django Unchained
BEST ADAPTED SCREENPLAY: Chris Terrio, Argo

BEST ANIMATED FEATURE: Brave
BEST FOREIGN LANGUAGE FILM: Amour
BEST DOCUMENTARY FEATURE: Searching for Sugarman

BEST ORIGINAL SONG: Skyfall
BEST ORIGINAL SCORE: Life of Pi
BEST CINEMATOGRAPHY: Skyfall
BEST EDITING: Argo
BEST SOUND EDITING: Argo
BEST SOUND: Les Miserables
BEST VISUAL EFFECTS: Life of Pi
BEST COSTUME DESIGN: Les Miserables
BEST PRODUCTION DESIGN: Les Miserables
BEST MAKEUP: Les Miserables

BEST DOCUMENTARY SHORT: Kings Point
BEST ANIMATED SHORT: Paperman
BEST LIVE ACTION SHORT: Death of a Shadow

So I have Argo being the second film since 1933 to win Best Picture without a Best Director nomination. That would give producers George Clooney and Ben Affleck each their second Oscar.

 Quentin Tarantino will also probably win his second Oscar. I also have Daniel Day Lewis and Robert DeNiro becoming three time Oscar winners. And I have Steven Spielberg winning #4.

And Skyfall cinematographer Roger Deakins should win a long over due Oscar. He was the cinematographer for The Shawshank Redemption, Fargo, No Country for Old Men, True Grit and many other beautifully shot pictures.

I talk Oscars and about other baseball movie topics on today's podcast.
Enjoy the show tonight.

Sully Baseball Daily Podcast - February 24, 2013
 
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Saturday, January 12, 2013

Silver Linings Playbook will upset Lincoln at the Oscars



OK folks, I am going to write a non baseball post.
Indulge me.

The Academy Award nominations were announced this week, and your good pal Sully believes a massive upset is going to happen on February 24 when the envelopes are opened.

With 12 nominations, a powerhouse performance, a weighty subject and a director some people have heard of, Lincoln looks like the film to beat.

What film can possibly top Steven Spielberg's epic, Daniel Day-Lewis' already iconic performance and an important movie about the great conflict of healing a nation?

Why a low key romantic comedy about mental illness, dancing and the Philadelphia Eagles, of course.

I believe Silver Linings Playbook, David O. Russell's quirky and moving comedy will win Picture, Adapted Screenplay and possibly even best actor.

And bear with me. There is logic to my madness.

First of all, remember that Silver Linings Playbook was released by Harvey and Bob Weinstein. No two people in history have a better Academy Awards playbook than these two guys.

They dominated the Oscars in the 1990's, helping make winners out of Quentin Tarantino, Matt Damon, Gwenyth Paltrow, Ben Affleck, Neil Jordan, Holly Hunter, Anna Paquin, Robin Williams and making films like The English Patient, The Crying Game and The Cider House Rules into surprising winners against bigger budget Hollywood fare.

And recently they had The Kings Speech and The Artist bring home the big prize against stiff competition.

They are the masters of playing the Oscar game. They find the perfect piece of Oscar bait. And usually they are films that feel more arty than standard Hollywood movies but have an entertaining quality that they essentially become crowd pleasers.

Films about racism, abortion, mental illness and powerful women are easier to sell when they are wrapped in the familiar structure of a romance or a comedy.

In other words they are the Oscar pictures that people like more than they respect. And they tend to have the films peak both in terms of box office and public awareness right around the time voters are filling out their ballots and the buzz over other films have died off.

And this strategy has resulted in some major Oscar upsets.

The Social Network looked like the front runner for Best Picture a few years ago. But The Kings Speech, a Weinstein Company Release, snuck up and won, mainly because voters enjoyed it more than the socially relevant Facebook saga.

The Descendants looked like the film to beat last year before audiences fell in love with a Weinstein film, The Artist and the cute little dog helped nab the big prize.

But remember the Weinsteins pulled off one of the most startling upsets in Oscar history with this strategy. And they did so against Steven Spielberg.

Saving Private Ryan was considered to be not only the best film of 1998 but one of Spielberg's true masterpieces. It was a worthy companion to Schindler's List, Spielberg's previous Oscar winner and a classic movie that would survive the test of time.

As expected, Steven Spielberg won Best Director and its victory for Best Picture was so ensured that Harrison Ford was called upon to present the final award. Indiana Jones was going to hand his director his second Best Picture Award.

Instead he handed it to Harvey Weinstein (and four other producers) as Shakespeare in Love won the big prize.

So what happened?

Private Ryan may have peaked early, being a summer release as opposed to Shakespeare which came out in Christmas.

Maybe the weighty and brutal story of Private Ryan moved viewers. But they felt good about themselves and happy leaving Shakespeare, which while a fine film was essentially a breezy romantic comedy.

Or maybe voters were tired of being told how great Private Ryan  was and cast a vote for entertainment.

Either way, the Weinsteins marketed Shakespeare as the film people fell in love with rather than saluted with respect.

Which brings us to Lincoln vs. Silver Linings Playbook.

The box office success of Lincoln peaked around Thanksgiving as audiences flocked to see Daniel Day-Lewis' transformation in the charged post election divided America.

By now the buzz of the film has died slightly and many people are just now discovering the moving, funny and quirky Silver Linings Playbook. 

Like Shakespeare, it is a romantic comedy disguised as something else. With all the talk of mental illness and dealing with death and loss, the film hinges on the audience wanting the two leads to fall in love.

Audience salute Lincoln and fall in love with Silver Linings Playbook. And voters love for Silver Linings  will be fresher in their minds than their admiration for Lincoln.

Also working in the Weinstein's favor is the narrowing of the field.

Before the announcements of the nominations, the biggest threats to Lincoln appeared to be Zero Dark Thirty, Argo and Les Miserables.

However, when none of those three films received a Best Director nomination, they fell out of the running for winning the award. Since 1932's Grand Hotel,  only one film won Best Picture without a Director nomination: 1989's Driving Miss Daisy.

So now the Weinsteins do not need to deal with rescuing Iranian hostages, the killing of Osama Bin Laden or a beloved musical.

They just need to have voters love a romantic comedy more than a talky drama people saw months ago.

To the Weinsteins they must be thinking "That's easy. Hell, we defeated the Normandy Invasion!"

Mind you, I am not writing what I think SHOULD happen but what will.

The Weinsteins will get audiences applauding the film more than DeNiro's character cheered for the Eagles.

It already is the first movie since Warren Beatty's Reds to get nominations in all four acting categories.

Don't be surprised is Robert DeNiro wins Oscar number three. Don't be stunned if Hunger Games star wins best actress (she was previously nominated for her great performance in the little seen Winter's Bone.)

And while a long shot, Bradley Cooper's leading performance, devoid of Day-Lewis' prosthetic make up and Hugh Jackman's singing, may sway voters as the gimmick free winner.

Steven Spielberg will almost certainly win Best Director. But the big prize is more up for grabs than people realize.

The Weinsteins do.
They have the playbook.

And in late February when people gasp that Lincoln did not win the big prize, remember that it was your pal Sully who told you why.


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Friday, November 16, 2012

Miguel Cabrera = John Wayne in 1969


A star is honored with the most prestigious annual award he can get. By all old standards of the award he is a clear shoo in.

By every way the honor has been evaluated for generations, this star has hit all of the right spots and would receive the award without controversy.

 But these are different times.

There are not only new young faces to contend with but new ways of evaluating excellence. The old standards seem to have been thrown into the dumpster and discarded as old fashion, uncool and no longer with merit. 

Talent and performance are judged differently and challenges all of the old thinking. In the face of a changing world, the old standard won but the writing is on the wall.

People will be looking at talent through different glasses and judge excellence by an entirely new criteria.

 Am I talking about the 2012 American League Most Valuable Player vote?
Or am I talking about the 1969 Oscar for Best Actor?

This year it was Miguel Cabrera who did all the things that in past years would have made the MVP discussion a debate of who would finish second and third.

 He won the Triple Crown.
His team made the playoffs.
Cabrera's Tigers overtook the White Sox while Cabrera was on fire.

 Boom. Open and shut case.

 But Mike Trout, who began the season in the minor leagues, had a more complete season.

 His average and OPS were comparable to Cabrera.
His on base percentage was superior. He hit for terrific power and stole bases.

 Plus his defense was exceptional. (The fact that he didn't win a Gold Glove was insane.)

 Plus he towered over Cabrera in WAR.

 I don't get WAR. No two people seem to calculate WAR the same way. I hate WAR as a stat because it is subjective. But I digress. Trout's case is compelling without that vague stat.

 So you have the new mindset clashing with the old.

 The 1969 Oscar ceremony was very similar.

 Old time Hollywood was being overtaken by new talent and a new attitude. The Oscars still honored big spectacles and traditional stars.

During the counter culture peak of 1968, the Best Picture Oscar went to the very safe musical spectacle Oliver! 

In 1969, everything was pointing to John Wayne winning his Oscar.

He had never won before and he might not ever get a better shot than True Grit.

 It was everything an Oscar performance could ask for. He was a big star in a physically challenging role, all the while showing a sensitive side to go with his rough exterior.

 It was the big crowd pleasing blockbuster that Hollywood could crank out with one eye closed, or behind a patch in the case of True Grit.

 But new talent and a new kind of filmmaking was emerging and getting harder to ignore. Just a few years prior, The Graduate and Bonnie and Clyde won a few major awards, challenging the old style of films. (The baseball equivalent of Felix Hernandez winning over a 20 game winner despite barely having a winning record.)

 Challenging John Wayne was another cowboy named Jon. Only this one was a male whore played by Jon Voight.

 Joe Buck in Midnight Cowboy was going to take on Rooster Cogburn. 

(Never confuse male whore Joe Buck with Fox Sports' Joe Buck. Or at least try not to.)

 To make the race even more interesting, Joe Buck's pimp, Ratso Rizzo, was nominated as well. Anyone watching the movies saw that what Jon Voight and Dustin Hoffman brought to their roles was more exciting and more complete than John Wayne's.

 Look at Hoffman! He was the kid in The Graduate and he transformed himself into a totally different role. What range!

 And like Mike Trout, Voight' s performance seemed to come out of nowhere for a new comer and he commanded the screen with emotional depth and humor.

 It was a new kind of movie and new kind of performances. And with a new criteria for judging excellence, they towered over even John Wayne.

 So what happened?

 The Oscars had the same result as the MVP. The old school won. And frankly, I am glad that John Wayne won an Oscar. He may not have deserved it for that movie, but a movie star of his quality should have a golden guy.

 In a similar manner, Miguel Cabrera won the MVP. There was no way that Sabermetrics were going to trump a Triple Crown. Not yet, at least.

Just like there was no way that Voight and Hoffman were going to deny the Duke his Oscar. But what happened after that?

 The new Hollywood's stars began to take over and the old stars and their acclaim took a back seat to a new way of thinking. Midnight Cowboy wound up winning the Best Picture Oscar. Actors like Gene Hackman and Jack Nicholson and Ellen Burstyn started winning the acting awards. The old kind of Oscar films faded away for a time and a new measure of excellence evolved.

 So maybe this was the last gasp of the old guard the same way that John Wayne's Oscar signaled the end of a different era.

 Looking back, Wayne's performance does not carry the same resonance of Voight and Hoffman. It isn't even the best Oscar nominated performance of someone playing Rooster Cogburn. (I found Jeff Bridges' performance in the Coen Brothers remake to be more compelling).

 Maybe Cabrera's award will have the same feel with retrospect.

 And Mike Trout supporters take heart: Both Jon Voight and Dustin Hoffman went on to win Oscars before the 1970s were over.



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Sunday, February 26, 2012

The Sully Baseball Official Oscar Picks for 2012

























I am taking a break this weekend from my baseball obsession to feed my other addiction:

The Academy Awards.

Now usually, I am super prepared for the Oscars. I've made it a point since the mid 1980s to see all the Best Picture Nominees before the telecast and most of the acting and writing picks as well.

In fact I've seen every Best Picture winner ever and every nominee since 1948.

Until this year.
I haven't been able to get out to the movies at the clip that I would have wanted to this year. And while I've seen 6 of the 9 nominees (which I am betting is more than you've seen!) I am going into this year without seeing either one of the front runners.

Nope, I haven't seen The Artist yet.
Nor have I seen Hugo.

So while I made to the end of that awful Tom Hanks/Sandra Bullock Sept. 11th movie and a feature length movie about the A's winning where they barely mention Mulder, Zito and Hudson, I am woefully unprepared by my own standards.

But that doesn't mean I can't make my predictions! My predictions are based upon who I think will win, not based upon any merit.

So here's my picks, submitted for your approval:

BEST PICTURE: The Artist
BEST DIRECTOR: Michel Hazanavicus, The Artist
BEST ACTOR: George Clooney, The Descendants
BEST ACTRESS: Michelle Williams, My Week with Marilyn
BEST SUPPORTING ACTOR: Christopher Plummer, Beginners
BEST SUPPORTING ACTRESS: Octavia Spencer, The Help
BEST ORIGINAL SCREENPLAY: Woody Allen, Midnight in Paris
BEST ADAPTED SCREENPLAY: Alexander Payne, Nat Faxon and Jim Rash, The Descendants

BEST CINEMATOGRAPHY: The Artist
BEST ART DIRECTION: Hugo
BEST COSTUME DESIGN: The Artist
BEST SOUND MIXING: Hugo
BEST EDITING: The Artist
BEST SOUND EDITING: War Horse
BEST VISUAL EFFECTS: Harry Potter and the Deathly Hallows
BEST MAKE UP: Harry Potter and the Deathly Hallows
BEST MUSIC SCORE: The Artist
BEST SONG: Man or Muppet from The Muppets
BEST ANIMATED FEATURE: Rango
BEST FOREIGN LANGUAGE FILM: A Separation
BEST DOCUMENTARY FEATURE: Pina

And of course the categories that NOBODY knows but we bet on them anyway.

BEST ANIMATED SHORT FILM: La Luna
BEST LIVE ACTION SHORT FILM: Tuba Atlantic
BEST DOCUMENTARY SHORT FILM: The Tsunami and the Cherry Blossom

Basically "When in doubt, pick The Artist!"

I am going to watch the show and I am unapologetic, I enjoy it.

And I tend to be very bad in predicting winners.
I just hope Billy Beane is in the crowd.

Enjoy the show and enjoy listening to me talk about my Oscar obsession.
















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Sunday, February 27, 2011

Sully’s Oscar Predictions



















I could very easily write a second blog called “Sully Oscars” but I’m spending a wee too much time writing THIS blog to do a second one.

But I do want my predictions in writing and out there for all my readers to see.

I like the 10 picture nomination change. It gives the Oscars a better cross section of the movies of the year.

This is an interesting Oscar year. A lot of years you have heard people whining that there aren’t enough mainstream hits being nominated (blame the studios for not making enough Oscar worthy films.) But this year with films like Black Swan, The Fighter, True Grit and The King’s Speech, you see a lot of Oscar bait have become big money makers even before the Awards are handed out.

Mix them up with some mainstream hits like Inception and Toy Story 3 and indie fare like The Kids are Alright and Winter’s Bone and you have a pretty interesting line up.

(And of course there is the obligatory “Man who cuts his damn arm off” movie in 127 Hours.)

All that being said, Toy Story 3 is still the best movie of the year… but who is counting?

Here are my predictions.
These are not the films I think SHOULD win but what I predict WILL win.

Let’s see how I do:

BEST PICTURE - The King's Speech
BEST DIRECTOR - Tom Hooper - The King's Speech
BEST ACTOR - Colin Firth - The King's Speech
BEST ACTRESS - Natalie Portman - Black Swan
BEST SUPPORTING ACTOR - Christian Bale - The Fighter
BEST SUPPORTING ACTRESS - Helena Bonham Carter - The King's Speech
BEST ORIGINAL SCREENPLAY - David Seidler - The King's Speech
BEST ADAPTED SCREENPLAY - Aaron Sorkin - The Social Network
BEST ANIMATED FEATURE - Toy Story 3
BEST FOREIGN LANGUAGE FILM - Biutiful

BEST ART DIRECTION - The King's Speech
BEST CINEMATOGRAPHY - True Grit
BEST COSTUME DESIGN - The King's Speech
BEST EDITING - The Social Network
BEST MAKE UP - The Wolfman
BEST MUSIC SCORE - The Social Network
BEST ORIGINAL SONG - "We Belong Together" - Toy Story 3
BEST SOUND - Inception
BEST SOUND EFFECTS EDITING - Inception
BEST VISUAL EFFECTS - Inception


And yup, I make the Documentary and the Short Film predictions as well.

BEST DOCUMENTARY FEATURE - Inside Job
BEST DOCUMENTARY SHORT - Killing in the Name
BEST ANIMATED SHORT FILM - The Gruffalo
BEST LIVE ACTION SHORT FILM - Wish 143


I know a lot of people think the awards will be split between The Social Network and The King's Speech, but I think the praise for The Social Network peaked. And I think The King's Speech will rampage for 7 Oscars and even have the upsets in the Director and Supporting Actress category. (Helena Bonham Carter has been an incredibly respected actress for a long time without a golden boy on her mantle. I think she'll get one over Melissa Leo, who was awesome in The Fighter.)

And I think the brilliant Roger Deakins will win Best Cinematography.
You may not notice that award or know his name... but he was responsible for the photography in The Shawshank Redemption, Kundun, A Beautiful Mind and Revolutionary Road... all amazingly well shot movies.

And oh yeah, he has shot every Coen Brothers film since Barton Fink.

That would include Fargo, The Big Lebowski, O Brother Where Art Thou?, The Man Who Wasn't There, No Country for Old Men and this year's True Grit.

You are hard pressed to find a better body of work than that!

Either way, I am going to enjoy the Oscars. I always do.
And as I do every year, enjoy my AMC Oscar segments.






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Monday, January 24, 2011

It is time for my OTHER obsession… the Oscars.







































Yup, I need to take a quick pause from talking baseball to feed my other beast: I am an Oscars addict. Now I promise I won’t turn this blog into Sully: Oscars, but each year I need to make my predictions for the big show.

So here are my picks for the nominations that will be announced tomorrow morning.
Note that these AREN’T the films that I think should necessarily win.
These are the films that I think WILL be nominated.

Best Picture
Black Swan
The Fighter
Inception
The Kids are Alright
The King’s Speech
127 Hours
The Social Network
Toy Story 3
True Grit
Winter’s Bone

Best Director
Darren Aronofsky - Black Swan
Joel and Ethan Coen – True Grit
David Fincher - The Social Network
Tom Hooper - The King’s Speech
Christopher Nolan – Inception

Best Actor
Jeff Bridges – True Grit
Jesse Eisenberg – The Social Network
Colin Firth – The King’s Speech
James Franco – 127 Hours
Mark Wahlberg – The Fighter

Best Actress
Annette Bening – The Kids are Alright
Nicole Kidman – Rabbit Hole
Jennifer Lawrence – Winter’s Bone
Natalie Portman – Black Swan
Michelle Williams – Blue Valentine

Best Supporting Actor
Christian Bale – The Fighter
Andrew Garfield – The Social Network
Jeremy Renner – The Town
Mark Ruffalo – The Kids are Alright
Geoffrey Rush – The King’s Speech

Best Supporting Actress
Amy Adams – The Fighter
Helena Bonham Carter – The King’s Speech
Mila Kunis – Black Swan
Melissa Leo – The Fighter
Hailee Steinfeld – True Grit

Best Original Screenplay
Black Swan
The Fighter
Inception
The Kids are Alright
The King’s Speech

Best Adapted Screenplay
127 Hours
The Social Network
The Town
True Grit
Winter’s Bone

Best Animated Feature
Despicable Me
How to Train Your Dragon
The Illusionist
Tangled
Toy Story 3


Best Documentary Feature
Client 9
Inside Job
The Tillman Story
Waiting for Superman
Who is Harry Nilsson?

Best Art Direction
Alice in Wonderland
Black Swan
Inception
The King’s Speech
True Grit

Best Cinematography
Inception
The King’s Speech
127 Hours
The Social Network
True Grit

Best Costume Design
Alice in Wonderland
Black Swan
Burlesque
The King’s Speech
True Grit

Best Editing
Black Swan
The Fighter
Inception
127 Hours
The King’s Speech

Best Sound
Black Swan
Inception
127 Hours
The Social Network
True Grit

Best Sound Effects Editing
Inception
127 Hours
TRON: Legacy

Best Visual Effects
Alice in Wonderland
Harry Potter and the Deathly Hallows
Inception
The Social Network
TRON: Legacy

Best Music Score
Black Swan
Inception
The King’s Speech
The Social Network
True Grit

Best Original Song
“I See the Light” – Tangled
“If I Rise” – 127 Hours
“Shine” – Waiting for Superman
“We Belong Together” – Toy Story 3
“You Haven’t Seen The Last of Me Yet” - Burlesque



I am predicting that the Academy will not nominate David O. Russell… perhaps the clash with Lily Tomlin on Youtube would still be on their minds. And I think that the DVD release of Winter’s Bone will make it the surprise Best Picture nomination.

And while The Town will get shutout of the big prize, Ben Affleck will get another writing nomination.

And I am also predicting some serious distribution of wealth amongst the nominations.
I see both The King’s Speech and True Grit getting double digit nominations with 10.

Black Swan, Inception and The Social Network should all get 9 nominations.

That’s 5 films with a pile of nominations.
And with 8 nominations for 127 Hours and 7 for The Fighter the possibility of another upset is strong. (Remember how The Hurt Locker upset the blockbuster Avatar last year?)

Alrighty. Get some sleep. Tomorrow is nomination day and always a big day in my insane calendar.

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Sunday, March 07, 2010

I promise... this will be my last Oscar post until next year













Well another Oscar season has come and gone and my obsession will soon turn 100% back to baseball...

But I still have a few thoughts about the broadcast that I unabashedly love to watch each year.


Steve Martin and Alec Baldwin did a nice job as hosts...

Steve's line "This show is so long that Avatar now takes place in the past" was terrific.

But no matter how good they were, I'm still not seeing It's Complicated.



Nominees... rehearse a speech!

Seriously, there is no excuse for stammering. You have had a month between the nominations announcement and the awards show.

Come up with a 30 second speech.

And don't give me any crap that "I totally didn't expect this, so I didn't prepare anything." The nanosecond you got nominated, you started holding your toothbrush as if it was an Oscar.

Prepare something and time it for 30 seconds. Costume designer Sandy Powell and composer Michael Giacchino won, said concise heart felt speeches and got off the stage. It's not that hard. Plus if you can't think of a speech, go to any coffee shop in Los Angeles and say "Hey! Unemployed writers. Who wants to help me write a clever speech for the Oscars?"


What the hell was up with the Best Documentary Short acceptance speech?

OK, most of you were probably going into the kitchen to get a Mr. Pibb or something during Documentary Short, but those of us who saw this award so a deliciously awkward acceptance speech.

Music by Prudence won the award and producer/director Roger Ross Williams started giving his speech. His fellow producer Elinor Beckett came onto the stage while he was in mid speech and boxed him out a la Kevin McHale in the 1986 Finals. I am not sure what the behind the scenes tension was on this film, but it is clear that nobody puts Elinor in the corner. Needless to say, the music played them off.


Colin Farrell had a lot of nerve bringing up S.W.A.T. at the Oscars!
When Farrell was giving his tribute to Jeremy Renner during the Best Actor nominations, he brought up their working together on SWAT!

Did you SEE SWAT? I did... it blows. And it is a lousy TV show adaptation of a movie.

Then again, it wasn't any worse than The Reader.

We now live in a world with Academy Award winner Fisher Stevens!

I'm not saying he doesn't deserve the award... I am just saying that looks odd to see in type.








Has Barbra Streisand left the stage yet?

Babs has two Oscars but I got the feeling she wanted to stay on stage with Kathryn Bigelow as long as possible. She knows the caption will read "first ever woman to win the Oscar for Best Director"... and she wanted in on that picture.

A note to Ms. Streisand: The Prince of Tides and Yentl weren't that good!





George Clooney is the new Jack Nicholson

He's the perpetual bachelor Oscar winner and super cool movie star...
and now he is the go to guy to cut to during the Oscar telecast.

Remember how they would always cut to Jack to see if a joke was funny or a tribute was moving?

Now (and for the next few decades) they will cut to George.



The John Hughes tribute was nice... if not for me

I was 13 when The Breakfast Club came out... and 14 when Pretty in Pink and Ferris Bueller's Day Off came out. In other words, I am the exact right age to have the movies of John Hughes mean everything to me as an awkward teenager. Here's the thing: they didn't.

I never liked The Breakfast Club, thought Ferris Bueller was OK but not earth shattering and I have yet to see Sixteen Candles. I'm not saying they are bad... but I grew up on the Red Sox, Batman comics, Godzilla and movies like Star Wars, Raiders, Ghostbusters, Close Encounters, Wrath of Khan and Back to the Future. When I went to the movies, I didn't want to see awkward teenagers whining about their life. I saw enough of that in Junior High! I wanted to ESCAPE from that!


I was rooting for Meryl Streep to win, but Sandra Bullock's speech won me over

I love that Meryl Streep has dropped the super serious "different accent every year" pattern to her career and instead is letting her quirky character actress abilities run rampant. She made fluffy films like Devil Wears Prada and Julie and Julia infectious and her performance as the nun in last year's Doubt could be her most underrated performance.

But Sandra Bullock was cool, sincere, funny and downright lovable in her acceptance speech... and was cool enough to pick up her Razzie in person. Nothing wrong with that.



I haven't seen Crazy Heart, but Jeff Bridges deserves that Oscar

He should have won for The Fisher King. Or maybe Fearless. Or maybe Last Picture Show... or The Contender...
Or maybe even Big Lebowski, Tucker or TRON!

All I know it was long overdue.




While we are handing out Oscars to people who should have won one before... how's about some love for Sigourney Weaver?

Nope, she's never won one.

It doesn't seem right does it?

Maybe she should play a down on her luck country singer.

(It worked for Robert DuVall and Jeff Bridges!)


I was stunned The Hurt Locker won

I really thought Avatar was going to win right up until the end. (Hey, wasn't Tom Hanks supposed to read all the nominees?)

So James Cameron's hot ex wife upset the King of the World. And now all Cameron has as a consolation prize is a $700 million gross, the two biggest grossing movies of all time and 3 Oscars already on his mantle. How can he sleep at night?

OK, enough... back to baseball.



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Friday, March 05, 2010

My Oscar picks and Why I think 10 Best Picture Nominees is a Good Thing

Forgive me, Sully Baseball fans... I need to do another Oscar post.

I just watched The Blind Side. It was a sweet, flawed, well intentioned movie that should have been a made for TV movie, but is harmless. Seeing that film means I have seen all 10 Best Picture nominees before the ceremony this weekend... thus keeping my insane Oscar obsession alive.

Of course they have changed the number of Best Picture nominees from 5 to 10 this year, partly as a response to popular films like The Dark Knight and WALL-E being snubbed last year.

And it seems like one of the popular things to do in cyberspace is write about what a lousy idea 10 nominees is.

I disagree. Not to be a contrarian, but I think 10 Best Picture nominations has turned out to be a fantastic idea.

This isn't like expanding the baseball playoffs or the NCAA tournament to allow lesser teams a shot to win it all. The Oscars are subjective and the widened Best Picture race has allowed for nominees that reflect the different tastes of viewers and have a better chance to have a film to root for.

Do you like big mongo blockbusters?
Well then you have Avatar and Up to root for.

Do you like critically acclaimed films that may have eluded blockbuster status?
Then cheer on The Hurt Locker.

Are you turned on by showcases for acclaimed directors?
The Tarantino's Inglourious Basterds and the Coen Brothers' A Serious Man are for you.

Do you like big movie stars carrying a film?
Then I bet you loved George Clooney in Up in the Air or Sandra Bullock in The Blind Side.

Do you like movies where new comers steal the film?
I suspect you loved An Education or Precious (which was evidently based on the Novel Push by Sapphire.)

How about if you love films revolving around shrimp looking creatures trapped in South Africa?

It's safe to say that District 9 is probably the best film revolving around shrimp looking creatures trapped in South Africa.

I think the change is a great one... and still doesn't prevent controversy. (My favorite film of 2009 was the unnominated In the Loop... but who is keeping track?)

The Oscar show is this weekend and it is one of the highlights of my year... and I think I am the only person on the planet who never gets bored by the show and doesn't mind how long it is.

And this year will be interesting with an ex husband and wife tandem competing for the big prize... and I think that neither James Cameron nor Kathryn Bigelow are walking away empty handed.

I think The Hurt Locker is going to win Director and Screenplay but Avatar will win picture... similar to how Traffic won Director and Screenplay in 2001 but Gladiator won the big Kahuna.

Jeff Bridges (who should have won for The Fisher King... a film where he wasn't even nominated for) is getting his long overdue Oscar. And I am picking with my gut when I say Meryl Streep will upset Sandra Bullock.

For what it is worth, here are my picks:

BEST PICTURE - Avatar
BEST DIRECTOR - Kathryn Bigelow - The Hurt Locker
BEST ACTOR - Jeff Bridges - Crazy Heart
BEST ACTRESS - Meryl Streep - Julie and Julia
BEST SUPPORTING ACTOR - Christoph Waltz - Inglourious Basterds
BEST SUPPORTING ACTRESS - Mo'Nique - Precious
BEST ORIGINAL SCREENPLAY - The Hurt Locker (Mark Boal)
BEST SCREENPLAY ADAPTATION - Up in the Air (Jason Reitman and Sheldon Turner)
BEST ANIMATED FEATURE - Up
BEST FOREIGN LANGUAGE FILM - The White Ribbon
BEST CINEMATOGRAPHY - The Hurt Locker
BEST EDITING - The Hurt Locker
BEST ART DIRECTION - Nine
BEST COSTUME DESIGN - Nine
BEST MAKE UP - Star Trek
BEST MUSIC SCORE - Avatar
BEST SONG - "The Weary Kind" Crazy Heart
BEST SOUND MIXING - The Hurt Locker
BEST SOUND EFFECTS EDITING - Avatar
BEST DOCUMENTARY FEATURE - Food Inc
BEST DOCUMENTARY SHORT - China's Unnatural Disaster
BEST LIVE ACTION SHORT - Kavi
BEST ANIMATED SHORT - French Roast
BEST VISUAL EFFECTS - Avatar





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Tuesday, February 02, 2010

OSCAR WINNING DIRECTORS WHO PRODUCED BEST PICTURE NOMINEES THEY DIDN'T DIRECT... An Insane Paul Sullivan Post

I can write crazy movie lists too!!!

Folks you have to bear with me… I obsess about the Academy Awards almost as much as I talk about baseball… I’ll get back to breaking down teams in the build up for Spring Training soon enough… but let me get some of my Oscar needs out.

I am sure Peter Jackson thought he was going to get an Academy Award nomination this year when he made The Lovely Bones and had it released in time for the Oscar push.

Well The Lovely Bones may have had a disappointing show in the nominations, but Peter Jackson did indeed get a nomination.

He produced the wonderful Best Picture nominee District 9, directed by Neill Blomkamp.

And that got me thinking… how many times has a filmmaker who won the Oscar for Best Director later get nominated for producing a Best Picture nominee.

And why have an idle thought like that when you can actually try to figure it out.

I have found six other instances…

Warren Beatty

Won the Best Director Oscar for Reds.

Nominated for Best Picture for Bugsy, Directed by Barry Levinson.




James L. Brooks

Won the Best Director Oscar for Terms of Endearment.

Nominated for Best Picture for Jerry Maguire, Directed by Cameron Crowe.






Mike Nichols

Won the Best Director Oscar for The Graduate.

Nominated for Best Picture for Remains of the Day, Directed by James Ivory






Anthony Minghella

Won the Best Director Oscar for The English Patient.

Nominated for Best Picture for The Reader, Directed by Stephen Daldry









Sydney Pollack

Won the Best Director Oscar for Out of Africa.

Nominated for Best Picture for Michael Clayton, Directed by Tony Gilroy
and The Reader, Directed by Stephen Daldry







Steven Spielberg

Won the Best Director Oscar for Schindler’s List
and Saving Private Ryan.

Nominated for Best Picture for Letters From Iwo Jima, Directed by Clint Eastwood




Now I hesitated about putting Francis Ford Coppola on the list and decided I would be a hard ass about it…Coppola produced the Best Picture nominee American Graffiti for George Lucas after he had made The Godfather.

But while Coppola had won the Oscar for The Godfather and the film won Best Picture, Coppola did not win the Best Director Oscar… he won that AFTER American Graffiti for The Godfather Part II.

Hey, I am a stickler for rules in my baseball lists. (Roberto Clemente is NOT in the Home Grown Pirates team because I stick to the rules.)

So why did I write this?
Well I am sure there must be a lunatic out there who wants to know this strange fact.

YOU ARE WELCOME








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How did I do in my Oscar Predictions?


My predictions weren’t bad… yet a few of my predictions came up short.

Yeah Avatar, The Hurt Locker and Up in the Air were big nominees. Wow. I am a seer.

Of the 45 major nominees, I got 31 ½ right.
31 ½?

Yeah… I predicted Stanley Tucci would be nominated for the easier to digest (literally) Julie and Julia rather than for his creepy role in The Lovely Bones.

Kind of like when they nominated Dennis Hopper for Hoosiers instead of Blue Velvet.

Also I was pleasantly surprised to see Up get a Best Picture nomination.

So 31 ½ out of 45 major nominees means I got 70% of them right.

Not too shabby.

The technical categories... not so good.
22 out of 41?
53%.

Yikes.

I should stick to predicting baseball... like when I picked the A's and the Reds last year.








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Monday, February 01, 2010

We interrupt one of my compulsions for another...



















I am obsessed with the Oscars. Every year it rivals my love for baseball...

And no I don't get bored by the ceremony.
No I don't think it should be abolished.

I love it every year.

Often I don't agree with the results, but that's not the point. It is one of my big nights of TV watching in the year and I ALWAYS see the big nominees.

So tomorrow morning at some ungodly hour in the morning, the Oscar nominations will be announced. And almost as nuts as the early hour will be the fact that for the first time since the 1944 ceremony (when Casablanca was award the Oscar for Best Picture of 1943) there will be 10 nominations for Best Picture.

This is partly to kick start other smaller movies box office appeal... and partly to ensure that bigger grossing fare gets a big nomination, making the elitist Oscars seem less elitist.

Of course the big winner is probably going to be Avatar, which needs a boost in the box office the way the Yankees need to add payroll.

But before the new batch of Oscar nominated films are announced, I am going to make my predictions for the nominees.

These are the films I think WILL, not the ones I think SHOULD be nominated.

Let's list...

BEST PICTURE

Avatar
The Blind Side
Crazy Heart
District 9
(500) Days of Summer
Hurt Locker
Inglourious Basterds
Precious
A Single Man
Up in the Air

BEST DIRECTOR

Kathryn Bigelow - The Hurt Locker
Neill Blomhamp - District 9
James Cameron - Avatar
Lee Daniels - Precious
Quentin Tarantino - Inglourious Basterns

BEST ACTOR

Jeff Bridges - Crazy Heart
George Clooney - Up in the Air
Robert Downey Jr. - Sherlock Holmes
Colin Firth - A Single Man
Jeremy Renner - The Hurt Locker

BEST ACTRESS

Sandra Bullock - The Blind Side
Carey Mulligan - An Education
Helen Mirren - The Last Station
Gabourney Sidibe - Precious
Meryl Streep - Julie and Julia

BEST SUPPORTING ACTOR

Woody Harrelson - The Messenger
Anthony Mackie - The Hurt Locker
Christopher Plummer - The Last Station
Stanley Tucci - Julie and Julia
Christoph Waltz - Inglourious Basterds

BEST SUPPORTING ACTRESS

Vera Farmiga - Up in the Air
Anna Kendrick - Up in the Air
Diane Kruger - Inglourious Basterds
Melanie Laurent - Inglourious Basterds
Mo'Nique - Precious

BEST ORIGINAL SCREENPLAY
Avatar
(500) Days of Summer
The Hurt Locker
Inglourious Basterds
Up

BEST SCREENPLAY ADAPTATION
Crazy Heart
An Education
Precious
A Single Man
Up in the Air

And yes because I am insane I will list out the other nominees as well.

BEST ANIMATED FEATURE
Cloudy with a Chance of Meatballs, Coraline, Fantastic Mr. Fox, Ponyo, Up

BEST ART DIRECTION
Avatar, District 9, Inglourious Basterds, The Lovely Bones, Nine

BEST CINEMATOGRAPHY
The Hurt Locker, Inglourious Basterds, The Lovely Bones, Nine, Up in the Air

BEST COSTUME DESIGN
An Education, Inglourious Basterds, Nine, The Young Victoria, Where the Wild Things Are

BEST EDITING
Avatar, (500) Days of Summer, The Hurt Locker, Inglourious Basterds, Up in the Air

BEST MAKE UP
Avatar, District 9, The Road, Star Trek, Where the Wild Things Are

BEST MUSIC SCORE
Avatar, The Informant!, Sherlock Holmes, Up, Where the Wild Things Are

BEST ORIGINAL SONG
Avatar, Brothers, Crazy Heart, Nine, Where the Wild Things Are

BEST SOUND
Avatar, The Hurt Locker, Nine, Public Enemies, Transformers: Revenge of the Fallen

BEST SOUND EFFECTS EDITING
Avatar, The Hurt Locker, Star Trek, Transformers: Revenge of the Fallen, Up

BEST VISUAL EFFECTS
Avatar, District 9, Star Trek, Transformers: Revenge of the Fallen, 2012


I don't know about Documentary short and feature and live action and animated short... and neither do you.

I have Avatar leading the pack with 11 nominations.
I predict that PIXAR will once again be snubbed a Best Picture nomination, this time for Up. But they'll be the odds on favorite to pick up a statue for Animated Feature.

Clint Eastwood's Invictus will be shut out totally.
Star Trek will be shut out of the major awards.

And yes, I predict Kevin O'Connell will get his 21 nomination for Best Sound. He's never won.
And seeing he will be nominated for Public Enemies and not Avatar or The Hurt Locker... he's kinda screwed.

Let's compare these predictions with the actual nominees tomorrow morning and see how I did.


And take a look at my Oscar rants from 2005 while we are at it.

Link





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Sunday, February 22, 2009

Off Topic... SULLY'S OSCAR PICKS



Sorry I've been behind in my writing. I've been feeding my other obsession... movies and the Academy Awards.

I'm a rabid Oscar nut on par with my baseball nuttiness. I've seen every Best Picture winner ever and every Best Picture nominee since 1950.

And this year I've seen all the nominees for Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Adapted Screenplay, Best Song, Best Editing, Best Cinematography, Best Sound Editing, Best Sound and Best Visual Effects... so I am pretty prepared for tonight's show.

(The lone Best Original Screenplay nomination I didn't see was Happy Go Lucky. If that wins the Best Original Screenplay Oscar, I will post a picture on this site of me wearing a Yankees hat.

Naturally the Oscars didn't nominate the three best pictures of the year (Wall-E, The Dark Knight and Doubt) for Best Picture of the Year and saw fit to nominate a Brad Pitt film based on a short story that was so long that I am convinced it was told in real time.

Naturally it nominated well intentioned historical films (Milk was OK... aren't films like Frost/Nixon the reason we have HBO Films?) and the required Holocaust film. (The Reader, which asks us to have sympathy for an SS Guard because she can't read has to rank as one of the worst Best Picture nominees of all time.)

And this year's nominees also included a pretty cool film that featured an evil Indian Regis Philbin!

So indulge me... I don't have a SullyOscars blog (yet.)

I need to do an Oscar list and why not here?
These are who I think WILL win, not SHOULD win

THE OFFICIAL PAUL SULLIVAN OSCAR PICKS


BEST PICTURE:
SLUMDOG MILLIONAIRE.

BEST DIRECTOR
DANNY BOYLE, SLUMDOG MILLIONAIRE.

BEST ACTOR
MICKEY ROURKE, THE WRESTLER

BEST ACTRESS
KATE WINSLET, THE READER

BEST SUPPORTING ACTOR
HEATH LEDGER, THE DARK KNIGHT

BEST SUPPORTING ACTRESS
VIOLA DAVIS, DOUBT

BEST ORIGINAL SCREENPLAY
MILK, Written by DUSTIN LANCE BLACK

BEST ADAPTED SCREENPLAY
SLUMDOG MILLIONAIRE, Screenplay by SIMON BEAUFOY

BEST MUSIC SCORE
SLUMDOG MILLIONAIRE, Music by A. R. RAHMAN

BEST SONG
SLUMDOG MILLIONAIRE, "O SAYA"

BEST EDITING
SLUMDOG MILLIONAIRE

BEST CINEMATOGRAPHY
THE CURIOUS CASE OF BENJAMIN BUTTON

BEST ART DIRECTION
THE CURIOUS CASE OF BENJAMIN BUTTON

BEST COSTUME DESIGN
THE DUCHESS

BEST SOUND EDITING
WALL-E

BEST SOUND MIXING
WALL -E

BEST ANIMATED FEATURE
WALL-E

BEST VISUAL EFFECTS
THE CURIOUS CASE OF BENJAMIN BUTTON

BEST MAKE UP
THE CURIOUS CASE OF BENJAMIN BUTTON

BEST FOREIGN LANGUAGE FILM
WALTZ WITH BASHIR

BEST DOCUMENTARY FEATURE
MAN ON WIRE


And of course the three categories that nobody ever sees the nominees so you just pick them at random.


BEST DOCUMENTARY SHORT
THE CONSCIENCE OF NHEM EN

BEST LIVE ACTION SHORT
NEW BOY

BEST ANIMATED SHORT
PRESTO


So there you have it... I am picking 6 wins for Slumdog Millionaire and Viola Davis will win the Oscar because she allowed a booger to dangle from her nose while doing a scene with Meryl Streep.

I promise next week, Sully Baseball will be back with a vengeance... but as this clip shows, the Oscars are no small obsession of mine!